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Tuesday, January 29, 2013

Strong Women as Main Characters: Do They Need Superpowers?

Once a reader puts his or her nose into a book, one key element that pulls them along with the story is whether or not they like the main character. Without some kind of connection, the reader won't care what happens to them or, worse yet, may look at what that character does with a jaded eye putting the whole plot in jeopardy. After all, buy-in with the main character is essential if the reader is to suspend their belief enough to become immersed in the writer's carefully constructed story.

Skillful writers use the reader's own biases to quickly create a connection. It's not a coincidence that many murder mysteries have intelligent, quirky women as prime sleuths or razor edge thrillers have steely-eyed men  as MCs. These character types come with a wealth of baggage that a writer can quickly unpack to dress a scene with a few key phrases and keep the story moving in the right direction.

When creating a thriller or suspense novel, the MC is going to be placed in situations that a reader would never encounter in real life and then has to extricate him- or herself out of it with cunning and skill. They need to find a special strength to win against the bad guys. Having a woman MC in a thriller is a tougher act to create because the writer is has to balance existing baggage of stereotype with that "special something" which enables them prevail.

Some thriller writers create their women MCs with superhuman powers. Maybe it's an ability to read minds or have lasers shoot from her eyes that provides the extra element that pushes the story over the top. Handled with skill, enhanced powers can trigger a connection with the reader by tapping into an unspoken fantasy. Who hasn't walked into a crowded room and wondered what people were thinking?

A writer doesn't have to imbue special powers in the MC or sacrifice action when a woman is in the center of it. They just have to be keenly aware of what reader biases they are tapping into and how they are manipulating reader emotions. After all, putting superhuman powers into a woman MC is acknowledging a stereotype that a mere human woman isn't strong enough or smart enough on her own to prevail.

The best women MCs are those that play against stereotype in some fashion. By providing another dimension, the writer creates a living, breathing person that the reader cares about. A strong woman can quickly become a two dimensional cardboard cutout if the writer isn't careful - a Rambo in a cami only goes so far.

A believable strong woman main character needs to have the following traits:

  1. Warmth. She needs to be able to connect with other characters around her and form a believable relationship. The bond she forms will enable the reader to say to themselves, "Oh. I get her. She would feel like I feel." The bond doesn't have to be with a person. A compelling MC may be a woman with Autism who can't connect with people but forges a bond with an animal. But showing that warmth can also expose an essential weakness that can be a mechanism for driving the plot forward.
  2. Intelligence. The woman MC needs to be able to put pieces together in a way the reader might not do. The MC does not have to be a genius, but just has to understand her world enough to figure out the ins and outs of a situation with a fresh perspective that makes a reader think.
  3. Passion. Readers understand going the extra mile for a cause that is near and dear to their hearts. Tapping into a passion ignites the drive that raises a regular woman into a tigress. Just threaten a mild-mannered mother's child to see this in action or put into jeopardy someones deeply held political beliefs. 
  4. One special skill. The world created in a thriller often revolves around a unique characteristic of the main character. The special skill for a woman needs to both flesh out her world for the reader and her abilities for the story. For example, a brilliant chemist will inhabit a world with test tubes and beakers and may hold the key to prevent a chemical weapon from being created. 
  5. Beauty. She needs to possess a beauty that the reader can admire or aspire to. Whether it's inner or outer beauty, the woman MC benefits from a beauty that transcends the reader's everyday world.
  6. Resourcefulness. The main character in a thriller is going to be in a sticky situation or two. Figuring out how to survive when she can't morph into a moth or bend a steel bar is going to create compelling scenes for the reader. 
  7. Vision. Simply put, she needs to see a better world that can be created from her efforts. 
If the writer is able to create a female main character who avoids the pitfalls of stereotype and provides traits that a reader can relate to, then they have created a way for their stories to move forward on a suspenseful journey.

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FRIDAY FEATURES is a steady presence on Out of the Fog where I explore the concept of "strong women." Who are they? What makes them strong? How do we see them in writing and/or in business? If you're an author, what is their place in the world of thrillers of mysteries? If you're in business, how is the working environment impacted by the presence of a "strong woman" and how are they seen as leaders and team members? If you're an emerging strong woman, tell us about your journey. Have other questions you find compelling? Ask away and I'll post the answers here.  



If you have something to say about the topic of 

strong women, contact me on Twitter: 

@conniehambley. 

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Wednesday, January 16, 2013

Word Continues to Spread Making Kindle Sales Pop!

Thank you to Michelle Pelletier Marshall, reporter for the Newburyport Daily News, for writing a very nice article about me and The Charity! In the day the article has been published, my sales on Kindle have popped! Positively wonderful!

Monday, January 14, 2013

Book Club Questions/Reader's Guide

With The Charity's readers growing in number, I've had a few reach out to me asking for questions that would be good conversation starters for their book clubs. I've put together a list with some questions that are good for any fiction book and a few questions that are specific to readers of The Charity. I've had great fun talking with book groups in person. Book clubs via Skype continue to be a great enjoyment for me as well.


  • Was there a point in the book when you knew you had to keep reading? What was it?
  • Who was your favorite character?
  • Do you feel as if your views on anything have changed since you read The Charity?
  • Was there a theme you felt that I, as the author, emphasized through The Charity?What do you think I was trying to say?
  • What characters changed throughout the book? Who changed the most? Was it the character that changed or your perspective on that character which changed? What were the reasons for that change and was that effective for you as a reader?
  • Was there a character that you first thought of as "good" or "bad" and then changed your mind? How did that happen?
  • What was it about Jessica that she could not disguise about herself? 
  • Readers often think fiction main characters expose an author's life. Did you see any ways in which you feel I was revealed through Jessica? How?
  • Were there any passages in the book that made you feel uncomfortable? Why? Does that say more about you or me as the author?
  • The Charity has been applauded for its realistic portrayals of behaviors, motivations and consequences behind terrorist acts. Does The Charity challenge your perspective on terrorism? How? 
These are questions I most hear from different readers and book clubs. Questions I have for my readers is what do you think happens to Jessica after the book ends? What do you want to see happen to her?

This list should get the conversation rolling for most book groups. Of course, a glass of chardonnay or a Jessica Cocktail or two wouldn't hurt.

Enjoy!

Friday, January 4, 2013

A2R Marketing - Good Outlook for 2013

I wanted to take a minute to share a post from the Alliance of Independent Authors. It confirms all of what I've been seeing and sensing in the marketplace. Independent authors are gaining marketshare because they are paying attention to best practices and, as the attached link expands upon, the infrastructure is adapting to a new business model.



More on A2R (Author to Reader) Marketing can be found here.